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Do The Right Thing


Do The Right Thing - https://hendmulrelan.blogspot.com/?d=2tD8R3





An open question near the end of the film is whether Mookie "does the right thing" by throwing the garbage can through the window, inciting the riot that destroys Sal's pizzeria. Some critics have interpreted Mookie's action as one that saves Sal's life by redirecting the crowd's anger away from Sal to his property, while others say that it was an "irresponsible encouragement to enact violence".[30] The quotations by two major Black leaders used at the end of the film provide no answers: one advocates nonviolence, the other advocates armed self-defense in response to oppression.[30]


Spike Lee has remarked that only White viewers ask him if Mookie did the right thing; Black viewers do not ask him the question.[31] Lee believes the key point is that Mookie was angry at the wrongful death of Radio Raheem, stating that viewers who question the riot are explicitly failing to see the difference between property damage and the death of a Black man.[28]


Radio Raheem: Let me tell you the story of Right Hand, Left Hand. It's a tale of good and evil. Hate: it was with this hand that Cain iced his brother. Love: these five fingers, they go straight to the soul of man. The right hand: the hand of love. The story of life is this: static. One hand is always fighting the other hand, and the left hand is kicking much ass. I mean, it looks like the right hand, Love, is finished. But hold on, stop the presses, the right hand is coming back. Yeah, he got the left hand on the ropes, now, that's right. Ooh, it's a devastating right and Hate is hurt, he's down. Left-Hand Hate KOed by Love.


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The thing is, there are no answers. There may be heroes and villains, but on this ordinary street in Brooklyn they don't conveniently turn up wearing labels. You can anticipate, step by step, during a long, hot summer day, that trash can approaching Sal's window, propelled by misunderstandings, suspicions, insecurities, stereotyping and simple bad luck. Racism is so deeply ingrained in our society that the disease itself creates mischief, while most blacks and whites alike are only onlookers.


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Distinctive, memorable characters and a highly original structure contribute to the powerful experience of DO THE RIGHT THING. Spike Lee uses vibrant music, unusual close-ups, bright colors, an abundance of "street language," and breaking the fourth wall (characters speaking directly into the camera) to bring the viewer right into the community of Bedford-Stuyvesant on a simmering, seething day. Lee and his brilliant actors, working from his own dynamic screenplay, create that world exactly as it might have been in the late 1980s (or might still be). He offers no judgments on what takes place and, as a result, the viewer must come to his or her own conclusions. The movie is stark, perhaps insightful, and often very poignant.


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